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Peinture européenne 1800-1850
Section 15 sur 19
entre 1800 et 1850
Région en relation : Europe
Ouvert tous les jours sauf lundi
Nocturne vendredi et samedi
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Artists have long drawn landscapes with pencil, pen and ink, or chalk while sitting outdoors. However, the practice of painting in the open air-a convention popularized by nineteenth-century Impressionists- emerged in Europe only in the mid-1700s. Usually small enough to fit inside an artist's painting box, open-air oil sketches (often on paper, mounted on cardboard) were not intended for exhibition or sale, nor where they preliminary studies for larger, more finished pictures. Instead, these rapidly painted works remained in the studio as explorations of the immediacy of nature and the mutability of light, atmosphere, and climate. The sketches here-painted in the Italian and French countryside-demonstrate the sophistication and charm of the genre with their varying degrees of finish, structure, and point of view.
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Classement par : artistes | nature | époques | matériaux
Jean-Joseph-Xavier Bidauld (1758-1846)
Jean-Baptiste Camille Corot (1796-1875)
Théodore d'Aligny (Caruelle d'Aligny) (1798-1871)
Pierre-Henri de Valenciennes (1750-1819)
Ferdinand Victor Eugène Delacroix (1798-1863)
Caspar David Friedrich (1774-1840)
François-Pascal-Simon Gérard (1770-1837)
Jean-Louis-André-Théodore Géricault (1791-1824)
Jean-Léon Gérôme (1824-1904)
Francisco de Goya Y Lucientes (1746-1828)
Christen Schjellerup Købke (1810-1848)
Pierre-Paul Prud'hon (1758-1823)
Leo von Klenze (1784-1864)
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